|Strawdog Theatre presents|
|The Master and Margarita|
|Adapted by Edward Kemp
Based on novel byMikhail Bulgakov
Directed by Louis Contey
at Strawdog Theatre, 3829 N. Broadway (map)
through April 2 | tickets: $20 | more info
Reviewed by Katy Walsh
As artistic differences threaten the theatrical production of Pontius Pilate, Satan arrives in town to set the record straight. Strawdog Theatre presents The Master and Margarita. In anti-religion Moscow, a writer works feverishly to create a masterpiece play. His girlfriend Margarita believes he is ‘The Master’ and is willing to do anything to support his writing. The government’s theatrical department interferes with his show. They want to ensure Pontius Pilate discredits Jesus’ existence. Satan and his cronies visit for a little civilization observation. They also want to get their magic show on the stage. Arrested, committed, beheaded, the poor souls of Russia are in chaos. When Satan sheds insight into mortals’ psyches, the balance of life has a peaceful neutralization. The Master and Margarita blurs the division between magic and religion, imagination and psychoses, theatrical and actual, life and death.
Check out the rest of my review at Chicago Theater Blog.
Filed under: Strawdog Theatre
Tags: Alejandro Cordora, Anderson Lawfer, Anita Deely, Chris Oken, Christy Arington, Cortney Hurley, D.J. Reed, Dan Granata, Danny Taylor, Dennis Grimes, Edward Kemp, Eileen Mallary, Ellen Willett, Ian Maxwell, Joanna Melville, Joe Schermoly, John Stokvis, John Wilson, Jon Nook, Justine C. Turner, Katy Walsh, Kyle Gibson, Loretta Roche, Lou Contey, Louis Contey, Maren Robinson, Mikhail Bulgakov, Mikhail Fiksel, Review "The Master and Margarita", Ron Thomas, Sarah Goeden, Strawdog Theatre, The Master and Margarita, Tom Hickey