This summer art lovers will be able to bask in a very special exhibition, “Manet and Modern Beauty” at the Art Institute of Chicago.
The exhibition, the first Art Institute exhibition devoted exclusively to Édouard Manet in over 50 years focuses on the transformation of the artist’s style in his later years–bringing together an impressive array of genre scenes, still lifes, pastels, and portraits of fashionable women—favorite actresses and models, bourgeois women of his acquaintance, and his wife—as well as intimate male friends.
The exhibition opened May 26 and continues through September 8, 2019 at the Art Institute of Chicago before heading to the J. Paul Getty Museum in Los Angeles from October 8, 2019 through January 12, 2020.
Two striking paintings are highlights of the exhibition. One is of the young model-actress Jeanne Demarsy in a fashionable day dress with parasol, gloves, and bonnet against a flowering backdrop of lush rhododendrons. The other is of Manet’s friend, the actress Méry Laurent. Called Jeanne (Spring), sometimes referred to as Manet’s Mona Lisa.
These works are part of an impressive array of “femmes Manet,” both portraits and single-figure genre paintings of women that range across the social spectrum. Supplementing this display will be the delicate and rarely seen letters Manet wrote to his acquaintances, featuring exquisite illustrations of fruits and flowers.
Punctuating the presentation are major multi-figure paintings, including In the Conservatory and Boating, both shown in the 1879 Salon, that focus attention on modern social and gender relations. Together these works showcase the final flowering of Manet’s talent as he put his work, ever responsive to the moment, under the influence of modern life.
“With every artist, there is the artist we know and the artist we don’t know, and our job at the Art Institute, where we have such wonderful examples of all of the Impressionists, is to take you into the realm of something that you didn’t know,” said Gloria Groom, Chair of European Painting and Sculpture, David and Mary Winton Green Curator at the Art Institute of Chicago. “There are a number of Manet’s more familiar Salon paintings in the exhibition, but also delicate drawings, pastel portraits, and illustrated letters that speak to a more intimate, unknowable, unknown artist, one who always manages, despite his challenges, to take your breath away.”
More than 90 works of art, including approximately 50 paintings, numerous pastels and many works on paper (letters, watercolors, prints) and historical publications plus historical costume accessories are presented.
“What is so remarkable about Manet’s final years is how creative he managed to be in spite of his rapidly declining health,” notes Scott Allan, Associate Curator of Paintings at the J. Paul Getty Museum. “His heightened interest in pretty parisiennes, the still lifes of fruits and flowers that he painted while confined to the studio, the garden pictures he did while seeking rest cures in the suburbs, and the letters he wrote and illustrated with watercolor while he was away from his friends and Parisian society – all of these show the ailing artist’s passionate attachment to the delicate beauties and fleeting pleasures of this world. Manet’s last works are among the most gorgeous and vibrant he painted but also, given his personal circumstances, the most poignant, and they reveal a more intimately human side of an artist so often lionized as one of the great heroes and rebels of modern art.”
Manet and Modern Beauty is organized by Gloria Groom, Chair of European Painting and Sculpture and David and Mary Winton Green Curator, the Art Institute of Chicago; and Scott Allan, Associate Curator of Paintings, and Emily Beeny, Associate Curator of Drawings, both at the J. Paul Getty Museum.
What: Manet and Modern Beauty
Where: The Art Institute of Chicago, 111 S. Michigan Avenue, Regenstein Hall
When: Now through September 8, 2019, open daily 10:30am-5:00pm, Thursdays until 8:00pm
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