History in the Making
By the power of grey skull, I sincerely hope Kathryn Bigelow wins the Best Director Academy Award tomorrow night. I know that I've mentioned this before, but her win would mark the very first time that a woman has won the award. As far as I'm concerned, the best picture/best director nominees are the only ones not cemented in stone yet. The acting and technical choices were basically decided months ago because the same handful of people, as undeserved as they are in some cases, keep winning awards over and over again. I'm actually still in shock that Abbie Cornish and Bright Star were totally left out of the running. Well, aside from Janet Patterson's nod for her amazing costume design.
In any case, I hope you'll remember to tune in tomorrow night and see some history in the making. Her win will undoubtedly open many previously locked doors for women in the industry.
Now I will leave you with my Oscar predictions. I'll mark what I think will win and what I want to win. What are your picks?
Best Motion Picture of the Year
Nominees:
Avatar (2009): James Cameron, Jon Landau
District 9 (2009): Peter Jackson, Carolynne Cunningham
An Education (2009): Finola Dwyer, Amanda Posey
Inglourious Basterds (2009): Lawrence Bender
Precious: Based on the Novel Push by Sapphire (2009): Lee Daniels, Sarah Siegel-Magness, Gary Magness
A Serious Man (2009): Joel Coen, Ethan Coen
Up (2009): Jonas Rivera
Up in the Air (2009/I): Daniel Dubiecki, Ivan Reitman, Jason Reitman
Will Win: The Hurt Locker
Should Win: The Hurt Locker
Best Performance by an Actor in a Leading Role
Nominees:
Jeff Bridges for Crazy Heart (2009)
George Clooney for Up in the Air (2009/I)
Colin Firth for A Single Man (2009)
Morgan Freeman for Invictus (2009)
Jeremy Renner for The Hurt Locker (2008)
Will Win: Jeff Bridges for Crazy Heart
Should Win: Jeremy Renner for The Hurt Locker
Best Performance by an Actress in a Leading Role
Nominees:
Sandra Bullock for The Blind Side (2009)
Helen Mirren for The Last Station (2009)
Carey Mulligan for An Education (2009)
Meryl Streep for Julie & Julia (2009)
Will Win: Sandra Bullock for The Blind Side
Should Win: Abbie Cornish for Bright Star, but I can't vote for that. So, I'll say Carey Mulligan for An Education.
Best Performance by an Actor in a Supporting Role
Nominees:
Matt Damon for Invictus (2009)
Woody Harrelson for The Messenger (2009/I)
Christopher Plummer for The Last Station (2009)
Stanley Tucci for The Lovely Bones (2009)
Christoph Waltz for Inglourious Basterds (2009)
Will Win: Christoph Waltz for Inglourious Basterds
Should Win: Christoph Waltz for Inglourious Basterds
Best Performance by an Actress in a Supporting Role
Nominees:
Penélope Cruz for Nine (2009)
Vera Farmiga for Up in the Air (2009/I)
Maggie Gyllenhaal for Crazy Heart (2009)
Anna Kendrick for Up in the Air (2009/I)
Mo'Nique for Precious: Based on the Novel Push by Sapphire (2009)
Will Win: Mo'Nique for Precious
Should Win: To be honest, I don't like any of them all that much. I guess I'll say Vera Farmiga for Up in the Air because I'd like to see her career take off.
Best Achievement in Directing
Nominees:
Kathryn Bigelow for The Hurt Locker (2008)
James Cameron for Avatar (2009)
Jason Reitman for Up in the Air (2009/I)
Quentin Tarantino for Inglourious Basterds (2009)
Will Win: Kathryn Bigelow for The Hurt Locker
Should Win: Kathryn Bigelow for The Hurt Locker
Best Writing, Screenplay Written Directly for the Screen
Nominees:
The Hurt Locker (2008): Mark Boal
The Messenger (2009/I): Alessandro Camon, Oren Moverman
A Serious Man (2009): Joel Coen, Ethan Coen
Up (2009): Bob Peterson, Pete Docter, Thomas McCarthy
Will Win: Quentin Tarantino for Inglourious Basterds
Should Win: Either QT or the writing team for Up.
Best Writing, Screenplay Based on Material Previously Produced or Published
Nominees:
District 9 (2009): Neill Blomkamp, Terri Tatchell
An Education (2009): Nick Hornby
Up in the Air (2009/I): Jason Reitman, Sheldon Turner
Should Win: None of the above.
Best Achievement in Cinematography
Nominees:
Avatar (2009): Mauro Fiore
The Hurt Locker (2008): Barry Ackroyd
Inglourious Basterds (2009): Robert Richardson
Will Win: Mauro Fiore for Avatar
Should Win: Robert Richardson for Inglourious Basterds
Best Achievement in Editing
Nominees:
Avatar (2009): Stephen E. Rivkin, John Refoua, James Cameron
District 9 (2009): Julian Clarke
The Hurt Locker (2008): Bob Murawski, Chris Innis
Inglourious Basterds (2009): Sally Menke
Precious: Based on the Novel Push by Sapphire (2009): Joe Klotz
Will Win: The duo for The Hurt Locker
Should Win: the duo for The Hurt Locker
Best Achievement in Art Direction
Nominees:
Avatar (2009): Rick Carter, Robert Stromberg, Kim Sinclair
Nine (2009): John Myhre, Gordon Sim
Sherlock Holmes (2009): Sarah Greenwood, Katie Spencer
The Young Victoria (2009): Patrice Vermette, Maggie Gray
Will Win: The team for Avatar
Should Win: the team for The Imaginarium of Doctor Parnassus
Best Achievement in Costume Design
Nominees:
Bright Star (2009): Janet Patterson
Coco avant Chanel (2009): Catherine Leterrier
Nine (2009): Colleen Atwood
The Young Victoria (2009): Sandy Powell
Will Win: Sandy Powell for The Young VictoriaShould Win: Janet Patterson for Bright Star
Best Achievement in Makeup
Nominees:
Il divo (2008): Aldo Signoretti, Vittorio Sodano
Star Trek (2009): Barney Burman, Mindy Hall, Joel Harlow
The Young Victoria (2009): John Henry Gordon, Jenny Shircore
Will Win: The duo for The Young Victoria
Should Win: The duo for The Young Victoria
Best Achievement in Music Written for Motion Pictures, Original Score
Nominees:
Avatar (2009): James Horner
Fantastic Mr. Fox (2009): Alexandre Desplat
The Hurt Locker (2008): Marco Beltrami, Buck Sanders
Sherlock Holmes (2009): Hans Zimmer
Up (2009): Michael Giacchino
Will Win: Michael Giacchino for Up
Should Win: Either him or Alexandre Desplat for Fantastic Mr. Fox
Best Achievement in Music Written for Motion Pictures, Original Song
Nominees:
Crazy Heart (2009): T-Bone Burnett, Ryan Bingham("The Weary Kind")
Faubourg 36 (2008): Reinhardt Wagner, Frank Thomas("Loin de Paname")
Nine (2009): Maury Yeston("Take It All")
The Princess and the Frog (2009): Randy Newman("Almost There")
The Princess and the Frog (2009): Randy Newman("Down in New Orleans")
No comment.
Best Achievement in Sound Mixing
Nominees:
Avatar (2009): Christopher Boyes, Gary Summers, Andy Nelson, Tony Johnson
The Hurt Locker (2008): Paul N.J. Ottosson, Ray Beckett
Star Trek (2009): Anna Behlmer, Andy Nelson, Peter J. Devlin
Transformers: Revenge of the Fallen (2009): Greg P. Russell, Gary Summers, Geoffrey Patterson
Will Win: The team for Avatar
Should Win: The team for The Hurt Locker
Best Achievement in Sound Editing
Nominees:
The Hurt Locker (2008): Paul N.J. Ottosson
Inglourious Basterds (2009): Wylie Stateman
Star Trek (2009): Mark P. Stoeckinger, Alan Rankin
Best Achievement in Visual Effects
Nominees:
Avatar (2009): Joe Letteri, Stephen Rosenbaum, Richard Baneham, Andy Jones
District 9 (2009): Dan Kaufman, Peter Muyzers, Robert Habros, Matt Aitken
Star Trek (2009): Roger Guyett, Russell Earl, Paul Kavanagh, Burt Dalton
Will Win: Team for Avatar
Should Win: Team for Avatar
Best Animated Feature Film of the Year
Nominees:
Coraline (2009): Henry Selick
Fantastic Mr. Fox (2009): Wes Anderson
The Secret of Kells (2009): Tomm Moore
Best Foreign Language Film of the Year
Nominees:
Ajami (2009)(Israel)
Das weisse Band - Eine deutsche Kindergeschichte (2009)(Germany)
El secreto de sus ojos (2009)(Argentina)
Un prophète (2009)(France)
Follow me @Cineslayer




















3 Comments
Cassandra Gaddo said:
Sara, did you see the article on Salon.com about Bigelow? I'm curious as to what you thought.....http://www.salon.com/entertainment/movies/the_hurt_locker/index.html?story=/ent/movies/film_salon/2010/02/24/bigelow
Sara Freeman said:
Hey Cassandra,
I did read that article on Salon. I don't really know why the author is using John Wayne as a reference point. I don't see Will James as a modern day John Wayne. She's making a lot of generalizations about Wayne and Bigelow that are frustrating. I'm not madly in love with The Hurt Locker by any stretch of the imagination, but it is a well-made and well-directed film. All movies about war glorify war without ever meaning to. It's impossible to not make the images look attractive, even if they're showing terrible things. They're iconic. The Hurt Locker knows and understands that. Will James loves war. It seems more real to him than any sort of familial setting ever could. I don't know if Bigelow or Mark Boal actually feels that way about it, but they know that their character does, so why beat around the bush? They didn't just give her the award last night because she's a woman. Bigelow deserved to win her Oscar.
The transvestite quips really bother me as well. I don't see Bigelow as this strutting, butch figure just because she makes male-driven movies. She just feels more comfortable exploring those environments. Though, god be damned if Blue Steel (with Jamie Lee Curtis) isn't her best movie. I'd take that over The Hurt Locker any day of the week. I *do* think her being a female filmmaker bothers her though. She would rather be regarded as just a filmmaker instead e of singled out for her gender. This is a famous quote by her:
“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”
I'm not sure what to say about the Ephron/Marshall comparisons. Though not every good film needs to be helmed by an auteur to make it work, I think auteurs, like Bigelow, create stronger, more personal films that are bound to stay with you longer than any film made by a non-auteur. That might not be true in all cases, but it's my personal opinion. I like Julie & Julia and It's Complicated, but they won't stand the test of time like The Hurt Locker will.
Cassandra Gaddo said:
Sara, I definitely agree. It's like she's trying to advance some woman's cause while herself getting lost in all this tangled-up gender stereotyping. Women can't be violent or have anything but a blind fear of war (really? Let's ask a female soldier what she thinks of that)? She only wants a woman to break the "glass ceiling" of the Best Director award if that winner does it in a way that the author finds gender appropriate. Bigelow's a transvestite, but she's also in drag, but she's also a tough guy....wow, I'm confused right now.
It's a well-known fact that male-lead driven films find more respect in Hollywood than female-lead driven films. I think Nochimson is trying to get at this point, but getting lost in gender stereotypes isn't going to help further the discussion. In attributing Bigelow's win to her gender, she's as bad as men who claim that women (or minorities) only achieve in the workforce because of affirmative action--it strips us of any ability to judge them based solely on their accomplishments. It's odd that a man's gender is often "invisible" in these situations, but women can only do things through the lens of their gender. No one questions James Cameron's masculinity for making a love/environmentalist story (haven't seen the movie, but from what I understand, that's the gist).
Ending rant now....was just curious as to your reaction to the article since you've been such a supporter of Bigelow. Thanks for sharing your thoughts!
Leave a Comment?
What your comment will look like:
said: