PREVIOUSLY:
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GWHH: So
you're credited as the co-producer for R. Kelly's recently leaked
"Echo". First off, how did the collaboration come about in the first
place? What's the story behind linkin' up with Kellz?
INFINITY: I got linked up with Kellz' A&R, Wayne Williams in ATL before they really started working on the album. I stayed in contact with him over time, and re-connected with a good guy of mine Kevin Shine, who believed in my work from the beginning and is now working hand in hand Wayne. As soon as Kevin told me they were coming back to ATL to do pretty much the whole album, I came to the studio and played Rob [R. Kelly] a good 5 or 6 records. They actually took all of them. Two of those records one being "Echo" and the other beat which had a hook already done on it, was "Banging The Headboard". That was my 1st time meeting up with Rob, great guy, Genius!
GWHH: Now
let's talk about the techniques on the track itself. What sorts of
things did you do on the record and what was the creative process like
between all the parties involved?
INFINITY: Going
back
to the 1st question on Co-Production. It was actually produced by
me and my former partner, so there was no production track wise on
Kellz' end; you can see on the track listing everyone on the album was
a
co-producer. We all brought somethin' 2 the table on "Echo". After
Wayne described a little more about the album, it was back to the
drawing board. You just gotta know Rob's sound, Sex sex sex haha! Give
him somethin' to make the ladies go crazy, and then have the guys be
like , this sh*t is IT! I gotta put this on that "bedroom mixtape" ha!
They brought Claude Kelly in to write with Rob! HE KILLED "Echo"! Dude
is a beast. It was an honor to get a chance to work with Rob. I got
hits for the next guy now :) so when anyone's ready...lets get it!
GWHH: Do you have any other big-name artists or upcoming artists that you
have or are working with currently? Similarly, are there any projects
for you in the near future?
INFINITY: Yea
definitely,
let me back track for a second. The stuff I've worked on
prior to this was "Mary J. Blige - Take Me As I Am" and I actually did
production (drums) on "Lupe Fiasco's "Daydreaming" I had a few more
cuts
as well. But right now the new shit I have coming is, Ludacris
featuring Flo Rida, my good friends Roc City which is gonna be
crazzzzy, and a couple
of new artists on capitol "Kollosus" & "718". I'm excited about the
new guys, I think 2010 is gonna be a great year for the up and coming!
GWHH: Lastly, what is it about Infinity that separates him from the rest of today's up and coming producers?
INFINITY: What
people have got spoiled with over time with new producers, is that if
you don't have "defined sound" then, your not where its at. But really
if you go back to check some of the best that did it, The Quincy Jones,
& Jimmy Jam and Terry Lewis, there were sounds in all of their
records that would stand out, that you would be familiar with. But
every record wasn't the same snare drum or same synth or same bassdrum
or movement. Its
not, "well since this 1 record was a smash, it has to be copied down to
the T". I don't have a "Defined" sound, I just make GREAT records.
Your gonna notice things in every song that's gonna set me apart from
everyone else. What people really get into, is my drum programming.
Trust me, every record that comes out, is gonna have hard hittin' drums
that your gonna feel somewhere in ya chest region lol!
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